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chicago residents ordered to ‘stay at home’ compels tony retailers to ‘board up showroom’. covid-19.

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illinois governor j.b. pritzker issued a “stay-at-home” order for the entire state starting saturday, 21 march, as officials take drastic measures to slow the spread of the coronavirus. pritzker announced the directive at a 3 p.m. friday news conference along with chicago mayor lori lightfoot. for dior sometime before midnight the store began a facelift that was completed by 8 a.m. saturday.

we capture several showrooms within a three-block section on rush near oak street that were busy in the wee hours of saturday morning. on a normal day rush street has quite a bit of foot traffic. but nothing is normal right now. we’ll attempt to visit this area and michigan avenue in the upcoming days.

above > rush & walton :photo taken wednesday 30 october 11 a.m. // below > photo taken saturday 21 march 9 a.m. // boards were painted to match.

above > rush & oak photo taken friday 20 march 11 a.m. // below > photo taken saturday 21 march 9 a.m. // one block away a clever-sweet board up.

above > rush & oak photo taken wednesday 20 november 3 p.m. // below > photo taken saturday 21 march 9 a.m. // commencing board up.

above > rush & delaware photo taken friday 24 january 5 p.m. // below > photo taken saturday 21 march 9 a.m. // there’s no board up but all the cars have been removed, an empty showroom save three tesla roadsters.

above > rush & delaware photo taken monday 2 september 3 p.m.

[ DesignApplause covid-19 response ]


foster + partners shares the prototype design for a reusable face visor. covid-19.

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to aid the fight against covid-19, foster + partners has designed a general-purpose prototype face visor, suitable for cleaning and reuse. it is specifically aimed at fast mass production.

[ foster + partners press release ] we are sharing the design templates and material specifications as an open-source design asset. this is to encourage both designers and in particular large-scale manufacturers to investigate the potential of digital and laser cutting machines as an alternative to 3d printing technology.

the prototype visor, designed by a team of industrial designers, model makers, architects and analysts, is made from three components: a visor made from 0.5mm optically clear petg, an interlocking soft pp headband, and a surgical silicone rubber head strap that ties the two together. these were all cut on the practice’s digital flatbed cutters by its printroom and model making teams. each visor can be cut from sheets in under 30 seconds and the elements can be assembled in under a minute. with a single cutting machine, we were able to cut and assemble components for 1,000 visor masks in a day, representing a reduction of days in the time taken to produce 3d-printed alternatives.

the visors can be produced and assembled or flat-packed and distributed in large quantities in a short span of time. an important advantage is that the visor can be easily disassembled, cleaned, sanitized and reused, addressing the growing shortage of raw materials for visor production. we are now delivering these prototype visors to a number of london hospitals where they are being tested. we are also exploring means of getting the design approved for mass production and use by health workers.

> flat-pack reusable visor comes in two sizes — short and long.
> visor, headband and strap can be cut by a flatbed digital cutter or laser cutter.
> cutting time: assembly: each visor can be disassembled and cleaned for reuse.

> visor: 0.5mm petg or equivalent
> headband: 0.75mm polypropylene (pp) or equivalent
> adjustable strap: 1mm silicone

click here to download the assembly instructions
click here to download the file for the digital flatbed cutter (.dwg)
please note that by downloading these files you are accepting the following terms and conditions:

1 > this design for a flat pack laser cut visor (the design) is created and owned by foster + partners limited and is licensed for non-commercial use under the creative commons attribution-non commercial 4.0 international public license (“the ccl terms”).
2 > as set out in section 5 of the ccl terms, no representations or warranties of any kind concerning the design are given.
3 > by downloading and or using the design files, you:
accept and agree to the ccl terms.

acknowledge that:
a > this design has been created by foster + partners in response to the global covid-19 pandemic;
b > foster + partners has no prior expertise in the design and manufacture of personal protective equipment (ppe) and therefore this design has neither been made by reference to any specific regulations nor subject to any formal testing regime;
c > that any user of the design shall assume all responsibility for developing the design in conformity with regulatory and testing requirements of any markets it intends to make the visor available in.

notes to editors:

1 > one zund g3 m 2500 cutting machine or equivalent can cut 217 per hour.
2 > the template offers two sizes – short and long.

[ DesignApplause covid-19 response ] #covid19 #coronacvirus

#stayathome #climate #goodcovid-19. a brief breath of fresh air.

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right now, someone, something, is jumping up and down, knocking on our head for us to take notice that we have on a silver (lining) platter a timing is everything happening: a vivid graphic that climate and covid-19 have a lot in common in that the outcome is the same.

we’re in an unexpected natural experiment. the opportunity in the crisis. a real reckoning moment. a picture is worth a thousand whatevers.

the perfect timing is a climate-induced world with catastrophic weather, fire, agriculture, and health problems and a novel virus pandemic that’s killing millions and crushing economies. it’s also time to implore our leaders to ponder america’s long-term big picture handling of pandemics and climate initiatives.

these images leave little room for debate. that it didn’t take long for covid-19 to wreck havoc and the world to address it. and no one expected such a dramatic by-product from a little rain tied to amping down the fossil fuels.

staying home works for covid-19. firing up sustainable industries and similar creature habits works for the economy.

above/below > new delhi 1 november 2019 / 20 april 2020 | photo manish swarup / ap

above top/bottom > india gate war memorial new delhi 17 october 2019 / 8 april 2020

above/below > nitrogen dioxide (red) levels prior to and during stay at home lockdown. the los angeles graphic is a vivid glimpse of what an electrified world would look like.

above > a nearly empty interstate 280 in san francisco 22 march 2020

below > notice the nitrogen dioxide readings at height of chinese lockdown in mid-january and march when stay-at-home was relaxed.

a dystopia is a community or society that is undesirable or frightening. It is translated as bad place and is an antonym of utopia,

the beginning is the most important part of the work. hello 2021.

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“the beginning is the most important part of the work.” – plato

all of us are really wanting a fresh new year! this video made in 2019 by tbwa/paris for the national society of french railways (sncf) captures what our mind’s eye was seeking: a celebration of new life, a feeling of hope and optimism. may all your plans bloom and blossom beyond your wildest dreams.

the video was a way for the sncf to give thanks to those “preserving the planet” by traveling by train. according to the sncf, trains give off 30 times less co2 than individual cars and 20 times less than planes. thus, the national railway body is positioning itself as a healthy alternative to other modes of transport.

to illustrate this sentiment, the successive blooming of flowers – a time lapse that covers 200 hours. to capture each one of the 50 varieties included, every flower was photographed once every five seconds, day and night, which accumulated in 14,000 images per flower.

in the film, every flower that blooms is accompanied by the wheezing bang of fireworks, to illustrate the celebratory nature of the campaign. the sncp aims to transition from diesel-powered rail to developing stations that are autonomously powered by 2035.

#hello2021

herman miller has acquired knoll.

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top> eames lounge chair / charles and ray eames / herman miller — bottom > barcelona chair / mies van der rohe / knoll

between them, herman miller and knoll have 19 brands and a presence in more than 100 countries. how they market themselves going forward is a case-study-worthy event in the making.

herman miller has acquired knoll. both iconic office furniture companies have more similarities than differences and it’s fair to say the roots to their present-day success is architecture and design. herman miller started with wood, knoll started with the bauhaus. great starts to mark the beginning of this very interesting story.

above > back to the future photo of the j miller house (no relation to herman miller) in columbus indiana. in 1953 the miller’s select architect eliel saarinen and by now herman miller’s head of textiles, alexander girard to create their home. in the foreground is knoll’s saarinen furnishings on a girard rug – below > girard’s touch in foreground and middle ground a seating area of both herman miller and knoll furnishing. today girard is listed as co-architect

herman miller was founded in 1905 and initially the company produced wood furniture, especially bedroom suites, in historic revival styles until 1930. with the coming of the great depression the company was forced to explore new products to survive and debuted a line of modern furniture at the 1933-34 century of progress exposition in chicago. in 1942, with the introduction of the “modular executive office” group (eog), the company was primed to lead the industry during the 70s open plan workplace.

in 1945 architect george nelson joined the firm as director. over the next four decades nelson influenced herman miller through both his personal designs and the designers that he recruited including; isamu noguchi, charles and ray eames, robert propst, and in textile designer alexander girard. beginning in the late 1940s, the period under nelson’s guidance saw herman miller produce some of the company’s most recognizable pieces of furniture, including the noguchi table, eames lounge chair, marshmallow sofa,

above > homage to alexander girard in a herman miller pop-up during icff 2014 – below > cosm / studio 7.5



above> living office/placemaking – below > healthcare

[ herman miller designers ]
edward barber and jay osgerby
ayse birsel
todd bracher
charles and ray eames
naoto fukasawa
alexander girard
jasper morrison
george nelson
robert propst
bill stumpf
others…

[ why herman miller magazine ]

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hans knoll was born in germany in 1914. his father was a modern furniture manufacturer, who supported the national socialist regime. perhaps because of his father’s views, or perhaps because he wanted to follow many other german modernists who had emigrated, knoll left germany in 1936 and moved to england. in 1938, he moved to new york city to found a furniture manufacturing company of his own.

in 1943, knoll was approached by florence schust, an architect who had studied under ludwig mies van der rohe and eliel saarinen. schust convinced knoll that she could help bring in business to his company even in america’s wartime economy by expanding into interior design and working with architects. hans and florence married and changed the name of the company to knoll associates. today knoll has over 40 of its designs–such as breuer’s wassily and cesca chairs and the barcelona chair by ludwig mies van der rohe–are in the permanent collection at moma.

above > classic southern california mid-century modern cool – imagining catching the view while listening to brubeck on vinyl / photos knoll

above > noguchi collection / isamu noguchi — below > platner collection / william platner

above > knoll office – below > knoll textiles

[ knoll designers ]
gae aulenti
neils diffrient
frank gehry
hans and florence knoll
isamu noguchi
jens risom
eliel saarinen
ettore sottsass
mies van der rohe
lella and massimo vignelli
others…

#hermanmiller #knoll #architecture #design #graphicdesign #interiordesign #productdesign #officedesign #workplacedesign #midcenturymodern
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2021 chicago architecture biennial kicks off in a new format.

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an architecture biennial unveils avant-garde ideas, materials, technologies and practices and serves as a forum for architects to make connections, collaborate with others and engage the public in issues and concerns in the field. the biennial also recognizes outstanding work in the industry.

the 2021 fourth edition of the chicago architecture bienniel kicks off 17 september organized in an entirely new format from previous years. all earlier editions were held at the chicago cultural center, an architectural masterpiece in itself, filling all three floors and greeting over 500,000 visitors in 2019.

because of the pandemic which affected long-established global venues, such as the venice architecture biennale, whose dates were put off twice — first, from may to august 2020, then to may 2021, chicago’s events will offer content within a neighborhood-centric format throughout the city.

the 2021 chicago event, titled the available city, builds on a chicago architecture professor’s long-term efforts to find creative uses for thousands of vacant city-owned lots. it will ask us to ponder how shared spaces, like community playgrounds, affect cities’ quality of life.

the biennial’s theme dovetails with mayor lori lightfoot’s $750 million “invest south/west” program to boost investment in struggling neighborhoods on the city’s south and west sides.

the mayor said in a news release, she was “thrilled” that the biennial “will be focused and grounded in our neighborhoods that can benefit from it the most.”

david brown, the 2021 chicago architecture biennial artistic director, is a professor at the university of illinois at chicago. brown participated in the inaugural 2015 biennial with an exhibition, also called the available city, which explored how 15,000 city-owned vacant lots could be transformed into usable public spaces rather than conventional reuses like urban farms.


above > david brown

since then, brown has worked with community-based organizations, connecting them with architects and designers to develop plans to turn individual lots or combinations of lots into small parks, plazas and buildings of various sizes.

this time around, the available city includes 15 site-specific architectural installations: located on public and private lots located in chicago’s neighborhoods of north lawndale, bronzeville, woodlawn, englewood, pilsen, collateral projects and the south loop. there are also two exhibition-based explorations located in an unused storefront space in bronzeville and at the graham foundation.

the host again is the graham foundation. and rather than starting from the ground up, the 2021 biennial will expand on brown’s work.

“that’s one of the reasons we’re really confident we can do this,” said sarah herda, the co-artistic director of the 2015 biennial and a member of the organization’s board. “we feel like it’s really a good moment” to reunite with brown and take his research forward, she said.

the biennial to date has featured models, drawings, installations and other work by more than 350 architects, designers and artists from more than 40 nations.

stressing that the 2021 biennial will seek to retain that international flavor, herda said the event might display projects from around the world that deal with issues like those brown has explored in his research.

out-of-town architects might communicate with chicago community groups via zoom or other online forums, she said.

the biennial’s first event will be an online conversation between brown and california landscape architect walter hood, winner of a macarthur foundation “genius” grant, who participated in the 2019 biennial.

as in previous years, the nonprofit organization that runs the biennial will present the event in cooperation with the chicago department of cultural affairs and special events.

the biennial becomes the second chicago architecture organization to shift from indoor activity to outdoor events and online platforms in response to the pandemic. the chicago architecture center presents it’s annual open house chicago, which normally gives participants access to the interiors of chicago buildings, is presenting outdoor and online tours.

[ contributors ]
ana miljački – critical broadcasting lab at mit (boston);
ania jaworska (chicago);
atelier bow-wow (tokyo);
borderless studio (chicago);
central park theater restoration committee (chicago);
christophe hutin architecture (bordeaux);
counterspace (johannesburg + republic of london + united kingdom)
craig wilkins (detroit);
departamento del distrito (mexico city);
drawing architecture studio (beijing);
el cielo (mexico city);
elleza kelly (new haven + new york);
englewood nature trail (chicago);
enlace arquitectura + ciudad laboratorio (caracas);
fala (porto);
gensler (stone soup group) (los angeles + chicago);
hood design studio (oakland);
in care of black women (chicago);
jill desimini (cambridge);
jovanna jackson (chicago);
maite borjabad lopex-pastor (chicago + madrid);
manuel hertz architecture (basel);
matri-archi(tecture) (basel + cape town);
michelle joan wilkinson (washington dc);
open architecture + under the grid (chicago);
outpost office (columbus);
port (chicago + philadelphia);
projecthood (chicago);
rayna rezmilic (santiago);
riff studio (new york city);
sekou cooke studio (charlotte);
shau (bendung);
soil lab (copenhagen + dublin);
sonja henderson and alphonso nieves (chicago);
stefan gruber (pittsburg);
studioapt (ann arbor);
studio barnes with shawhin roudbari and mas context (miami);
studio ossidiana (rotterdam + venice);
the bittertang farm (chicago + bainbridge island);
the open workshop (san francisco + toronto);
urban american city (new york city).


contributor/tokyo atelier bow wow


contributor/niger mariam kamara/a>


contributor/chicago ania jaworska


contributor/detroit craig wilkins

the graham foundation is pleased to present the available city, part of the fourth edition of the chicago architecture biennial (cab). this edition marks a new approach to the biennial model, bridging the traditional exhibition format to a deeper engagement with the community to expand access and impact. offering opportunities to discover installations, exhibitions, and programs that explore transformative possibilities for vacant spaces in communities worldwide.

visit the [ chicago architecture biennial ] to explore more about the biennial, what is on view throughout the city, and upcoming programs and events. look for DesignApplause to spell out these events in weekly separate articles.

[ upcoming programming! ] #cab21 #chicagoarchitecturebiennial

this is a developing story…

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a man for all reasons brit architect/designer david chipperfield wins 2023 pritzker architecture prize.

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civic architect, urban planner and activist, sir david alan chipperfield has been selected as the 2023 laureate of the pritzker architecture prize, the award that is regarded internationally as architecture’s highest honor.

truly a man for all reasons. whether it’s a museum, a spoon or a lounge chair, either modern or traditional, his effort is subtle yet powerful, subdued yet elegant, he is a prolific architect and designer who is radical in his restraint, demonstrating his reverence for history and culture while honoring the preexisting built and natural environments, as he reimagines functionality and accessibility of new buildings, renovations and restorations through timeless modern design that confronts climate urgencies, transforms social relationships and reinvigorates cities.

“i am so overwhelmed to receive this extraordinary honour and to be associated with the previous recipients who have all given so much inspiration to the profession,” remarks chipperfield. “i take this award as an encouragement to continue to direct my attention not only to the substance of architecture and its meaning but also to the contribution that we can make as architects to address the existential challenges of climate change and societal inequality. we know that, as architects, we can have a more prominent and engaged role in creating not only a more beautiful world but a fairer and more sustainable one too. we must rise to this challenge and help inspire the next generation to embrace this responsibility with vision and courage.”

above> procuratie vecchie, photo courtesy of richard davies // below> procuratie vecchie, photo courtesy of alessandra chemollo

above/below> royal academy of arts masterplan, photo courtesy of simon menges

above> royal academy of arts masterplan, photo courtesy of the royal academy of arts

above/below> amorepacific headquarters, photo courtesy of noshe

above> amorepacific headquarters, photo courtesy of noshe

above/below> america’s cup building ‘veles e vents,’ photo courtesy of christian richters

above> america’s cup building ‘veles e vents,’ photo courtesy of christian richters

above/below> the hepworth wakefield, photo courtesy of iwan baan

above/below> saint louis art museum, photo courtesy of simon menges

above/below> james-simon-galerie, photo courtesy of ute zscharnt

above/below> inagawa cemetery chapel and visitor center, photo courtesy of keiko sasaoka

above> inagawa cemetery chapel and visitor center, photo courtesy of keiko sasaoka

above/below> river and rowing museum, photo courtesy of richard bryant / arcaid

[ about the prize ]
to honor a living architect or architects whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture.

the international prize, which is awarded each year to a living architect/s for significant achievement, was established by the pritzker family of chicago through their hyatt foundation in 1979. it is granted annually and is often referred to as “architecture’s nobel” and “the profession’s highest honor.”

the award consists of $100,000 (us) and a bronze medallion. the award is conferred on the laureate/s at a ceremony held at an architecturally significant site throughout the world.

jay and cindy pritzker believed that a meaningful prize would encourage and stimulate not only a greater public awareness of buildings but also would inspire greater creativity within the architectural profession.

the prize takes its name from the pritzker family, whose international business interests are headquartered in chicago. their name is synonymous with hyatt hotels located throughout the world. the pritzkers have long been known for their support of educational, scientific, medical, and cultural activities. jay a. pritzker, (1922-1999), founded the prize with his wife, cindy. his eldest son, tom pritzker, the chairman and president of hyatt foundation, explains, “as native chicagoans, it’s not surprising that our family was keenly aware of architecture, living in the birthplace of the skyscraper, a city filled with buildings designed by architectural legends such as louis sullivan, frank lloyd wright, mies van der rohe, and many others.”

he continues, “in 1967, we acquired an unfinished building which was to become the hyatt regency atlanta. its soaring atrium was wildly successful and became the signature piece of our hotels around the world. it was immediately apparent that this design had a pronounced effect on the mood of our guests and attitude of our employees. while the architecture of chicago made us cognizant of the art of architecture, our work with designing and building hotels made us aware of the impact architecture could have on human behavior. so in 1978, when we were approached with the idea of honoring living architects, we were responsive. mom and dad (cindy and the late jay a. pritzker) believed that a meaningful prize would encourage and stimulate not only a greater public awareness of buildings but also would inspire greater creativity within the architectural profession.”

many of the procedures and rewards of the pritzker prize are modeled after the nobel prize. laureates of the pritzker architecture prize receive a $100,000 grant, a formal citation certificate, and since 1987, a bronze medallion. prior to that year, a limited edition henry moore sculpture was presented to each laureate.

[ sir david chipperfield awarded pritzker architecture prize ]

the line redefines the concept of what cities of the future will look like.

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above/below> a detail view of the concept vertical city aptly named “the line” touching the red sea

the line, a cognitive city stretching across 105.6 miles [170 kilometers], from the epic mountains of neom across inspirational desert valleys to the beautiful red sea. a mirrored architectural masterpiece towering 1,640 feet [500 meters] above sea level, but a land-saving 656 feet [200 meters] wide. the line redefines the concept of urban development and what cities of the future will look like. a civilizational revolution, its unparalleled livability can be explored at the line exhibition – now welcoming visitors in riyadh. no roads, cars or emissions, it will run on 100% renewable energy and 95% of land will be preserved for nature. people’s health and wellbeing will be prioritized over transportation and infrastructure, unlike traditional cities.

above> a ground level view of the mirrored wall cutting through the desert / below> the vertical concept city vs comparable traditional city

a small footprint to blend with nature
the line will have an outer mirror facade that will provide its unique character and allow even its small footprint to blend with nature, while the interior will be built to create extraordinary experiences and magical moments. it will be created by a team of world-renowned architects and engineers, led by neom, to develop this revolutionary concept for the city of the future.

this city will eventually accommodate 9 million people and will be built on a footprint of just 13 square miles [34 square kilometers]. this will mean a reduced infrastructure footprint, creating never-before-seen efficiencies in city functions. the ideal climate all-year-round will ensure that residents can enjoy the surrounding nature. residents will also have access to all daily essentials within a five-minute walk, in addition to high-speed rail – with an end-to-end transit of 20 minutes.

above> a canal from the red sea to the marina / below> the marina

a perfect climate all-year-round
to ensure the establishment of microclimatic spaces, the environment has been carefully designed to allow for an optimal balance of sunlight, shade and natural ventilation. furthermore, the green open spaces throughout the city will further enhance the comfort for those living, working and visiting here.

unparalleled access to nature
the progressive design offers immediate and uninterrupted access to nature within a two-minute walk – through its diverse open spaces, suspended on multiple levels. equitable access to pristine views of the surrounding natural landscape, mountains and sky, for all, avoiding urban sprawl thanks to a reduced infrastructure footprint.

more time to spend with loved ones
all daily essentials will be accessible within a five-minute walk and an efficient public transport network will offer a rapid end-to-end journey. automated services will be powered by artificial intelligence. amenities in close proximity will mean residents see family and friends often through spontaneous encounters.

clean air for everyone
the city will be zero-carbon, due to the elimination of unecessary infrastructure, cars and roads. it will operate on 100% renewable energy, including the operations of its industries. the integration of nature and open spaces throughout will serve an important role in enhancing air quality.

a concept referred to as zero gravity urbanism
the line remains one of the most important projects of saudi vision 2030, offering a new approach to urban design: the idea of layering city functions vertically while giving people the possibility of moving seamlessly in three dimensions (up, down or across) to access them is a concept referred to as zero gravity urbanism. different from just tall buildings, this concept layers public parks and pedestrian areas, schools, homes and places for work, so that one can effortlessly move to reach all daily needs within five minutes.

[ neom ]





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